Jessy's Place

[briskby]

[chirart]

Notes on what goes into how I do expressions/faces.

I felt bad I pretty much did a “draw a circle NOW DRAW THE REST OF THE OWL” for this question so I thought to expand a bit.

[unclefather]

[foxderpandrew]

So this happened when I tried to use my new shower last night

[heyheyanna]

why is this funny

[mylifeasasandwich]

[unanimous-d]

Based on this

[moriahari]

[mxcleod]

just do it

[streaksofmoonlight]

This is the best one

[trucupa]

Im going to reblog all about this meme

[animated-disney-gifs]

[spongebobssquarepants]

[letswishuponastar]

A good friend knows when to hold you back.

A best friend knows when to let go and let you rip into a bitch.

I like Stitch’s selfie in the middle of the pictures

[sararye]

lilo is the most badass disney character

[oppa-homeless-style]

[justice4mikebrown]

Download and learn more about the app here.

[blazeduptequilamonster]

BOOST THE FUCK OUT OF THIS

[oppa-homeless-style]

[grizandnorm]

Tuesday Tips - Floating Hands

I use this a lot when storyboarding a first pass of a sequence. Placing hands in the right, most appealing position can be tricky. In order to create a clear silhouette for the hands, I often draw them “floating in the air”. Then, using my general knowledge of anatomy, I just “fill in the arms”. This way I can create a much more expressive and clear pose than if I was just radiating out of the torso. That’s when structure and anatomy can get in the way of a clear message. And hands carry a lot of meaning, so I want to make them as clear as possible  for my audience to see them.
I would say the same applies to life drawing. Since they often don’t carry the body weight (legs most often do), I feel like i can take the freedom of changing their position slightly to make a better visual statement.
-n